Events
Heiner Goebbels' Sampler Suite

(from Surrogate Cities) and Songs of Wars I Have Seen, presented by the London Sinfonietta & Orchestra of the Age of Enlightenment at the Queen Elizabeth Hall, South Bank.

Futurism Updated

A series of specially commissioned works developing the themes of Futurism, presented by Central in association with the Estorick Collection and Derek Shiel on the evening prior to the conference.

Performance
Installations
Round table & Papers
Round tables
Papers
  • Papers 1 - Vocality and Sound
  • Papers 2 - Noise and Performance
  • Papers 3 - Vocalisation and (non-linguistic) utterance
  • Papers 4 - Elements for a history of listening
  • Papers 5 - Auditory Space, Installation and Interaction
  • Papers 6 - Integrations and extrusions in sound performance
  • Papers 7 - Latent Noise / Latent Musicality
  • Papers 8 - Contemporary theatre practice through sound
  • Papers 9 - Performance as sound event
  • Papers 10 - Body/Presence/Noise
  • Papers 11 - Sound effects and listening conventions
  • Papers 12 - Other Noises, Immanent Sounds
  • Papers 13 - Sound and Silence
  • Papers 14 - Musicalities of (postdramatic) theatre
Residencies & workshops
Respondent
  • Respondent - Looking back - or perhaps we should say listening back – on each day's events
Residencies
Workshops
kEYNOTE LECTURES

John Collins
Theatrical Sound Design – A Binary Paradigm

Cicely Berry
Shakespeare and the Aural Expectations of the Audience

Heiner Goebbels
The Thing Seen / The Thing Heard - voices in Stifters Dinge

THE CENTRAL SCHOOL OF SPEECH AND DRAMA
University of London, Eton Avenue, Swiss Cottage, London NW3 3HY

tel: +44 (0)20 7449 1571, email: noise@cssd.ac.uk