Paper Panels
Papers 1 - Vocality and Sound
WED 22 14.45-16.00 | RR4
Chair: Katerina Moraitis
- Numb and standing – voice on stage and the phenomenology of interruption Eduardo Abrantes
- Voice, space, concrete: notes from a car park Jill Dowse
- Between sound and silence – reflections on the acoustic resonance and implicit ethicality of human voice Alice Lagaay
Papers 2 - Noise and Performance
WED 22 16.30-18.00 | RR3
Chair: Ross Brown
- The employment of sounds and vocals in the Tainaner Ensemble’s Shakespeare Unplugged 3 – Macbeth Yilin Chen
- From portrait to landscape: noise and meaning Adam Collis
- Articulating noise and the breakdown of the interpretative order Mike McInerney
Papers 3 - Vocalisation and (non-linguistic) utterance
WED 22 16.30-18.00 | RR4
Chair: Tara McAllister-Viel
- A theatre of corporeality: hearing mine in Pauline Oliveros's Sound Patterns Zeynep Bulut
- When the voice itself is image Liz Mills
- Emotive utterance as moving image – representation, interpretation and perception Frank Millward
Papers 4 - Elements for a history of listening
WED 22 16.30-18.00 | RR5
Chair: Paul Barker
- Listening differently: how the transformation of audition at the end of the 19th Century changed French theatre Melissa Van Drie
- Electrical sound and the concept of mediatic resistance in theatre Jean-Marc Larrue
- Sound in space-time: how technology has changed sound practices Éric Vautrin
Papers 5 - Auditory Space, Installation and Interaction
WED 22 16.30-18.00 | RR6
Chair: Philip Stanier
- A search for renoise, how feedback shapes performances Cathy Van Eck
- Sharing an earpoint: the voicing of place in conversive wayfinding Misha Myers
- The theatre of recorded sound: the vacated theatre of Michael Curran's What Have They Done To My Song Marco Pustianaz
Papers 6 - Integrations and extrusions in sound performance
THUR 23 10.00-11.30 | RR4
Chair: Barry Edwards
- The acoustic DNA of Mumbai and Antartica Craig Vear
- Breaking the Sound Barrier: Aurality, Motion and Performance P. A. Skantze
Papers 7 - Latent Noise / Latent Musicality
THUR 23 12.00-13.30 | RR3
Chair: David Roesner
- Cruel vibrations: sounding out Antonin Artaud’s production of The Cenci Adrian Curtin
- Silence and noise – the perfomative limits of order George Sampatakakis
- Noises on Gareth White
Papers 8 - Contemporary theatre practice through sound
THUR 23 12.00-13.30 | RR4
Chair: Ross Brown
- Hearing the scene John Downie
- Theatre making and real-time sound composition Barry Edwards
- There’s something out there! The transposition of visual style into sonic stimuli for a stage adaptation of The Evil Dead Robert Dean, Rob Smith and Ben Challis
Papers 9 - Performance as sound event
THUR 23 12.00-13.30 | RR5
Chair: John Levack Drever
- All around the place: sound immersion and frontality Jeanne Bovet
- Staging sound: a matter of dissociation Daniel Deshays
- Distant noises. The sound of hearing Marie-Madeleine Mervant-Roux
Papers 10 - Body/Presence/Noise
THUR 23 12.00-13.30 | RR6
Chair: Alice Lagaay
- Text please: the problem of utterance Lynne Kendrick
- Vocal improvisation in Dwelling Nichola Scrutton
- Repeat after me: theatre, complicity and the participating voice Philip Stanier
Papers 11 - Sound effects and listening conventions
FRI 24 11.45-13.15 | RR3
Chair: Misha Myers
- The vagaries of sound fx: supposed sounding and listening through the history of recorded sound John Levack Drever
- Aural acts: theatre and the performance of listening George Home-Cook
- Between platform and pit – the noise of Partch Tim White
Papers 12 - Other Noises, Immanent Sounds
FRI 24 11.45-13.15 | RR4
Chair: John Downie
- Lying the synthetic real – simulating a performance in Woodwork Mikael Eriksson
- Slippage and disorientation in The Master and the Margarita Laura Purcell Gates
- Intrusive noises: the performative power of theatre sounds Katharina Rost
Papers 13 - Sound and Silence
FRI 24 11.45-13.15 | RR5
Chair: Gareth White
- Loïe Fuller: a silence bristling with Chinese crepe Cecile Guedon
- Play and re:play, musical echoes of Beckett's stage poetry Danijela Kulezic-Wilson
- Sounding Mallarmé's invisible theatre Danae Stefanou, Themelis Glynatsis and Ioannis Kotsonis
Papers 14 - Musicalities of (postdramatic) theatre
FRI 24 11.45-13.15 | RR6
Chair: Paul Barker
- If Music Be the Food of Love: intercultural acoustemologies and Ong Keng Sen’s Awaking Marcus Cheng Chye Tan
- Melodic intentions: speaking text in postdramatic multimedia dance theatre Zachary Dunbar
- Collaboration, notation, authorship and dramaturgy in the creation of composed theatre David Roesner and Matthias Rebstock